P.S. Sensuous, exuberant.
Noor Gharzeddine's "Are You Glad I’m Here is an actual masterclass in confronting Western prejudice and liberal simplicities"
01 February 2020
FIRST LOOK gives Five Stars for a thrilling debut feature by Lebanese-American filmmaker Noor Gharzeddine.
Elisha talks to SHOTS!
20 January 2020
"The power of the project comes through in her authenticity and her absolute respect for what Jon Gray does. Her fearlessness and tender point of view combine to create a piece of art that honors the past and respects the present."
Danny Sangra talks to LBB: My Creative Process.
10 January 2020
To work out his shots on Parlour Games, Sangra filmed everything with toys on his phone. You can now watch it here!
Playboy 20Q for Alma Har'el.
17 November 2019
Q14: You were hesitant about being interviewed by PLAYBOY. Why?
PRESS: Film Daily features 'Parlour Games'
13 October 2019
To celebrate the release of Parlour Games, produced by indie film powerhouse Lief , we were delighted to sit down with the quintessentially British filmmaker and talk craft.
Directors Notes interviews Luo Jian on her short WDYK.
07 October 2019
A Woman Gives Birth to a Jellyfish in Luo Jian’s ‘What Do You Know About the Water and the Moon’
Bat For Lashes hotly anticipated album 'Lost Girls' is out now ! Natasha Khan speaks to Refinery29 about building the universe around the album, produced by Lief.
Moffie triumphs at Venice! Read the press reviews here.
04 September 2019
"Oliver Hermanus makes his masterpiece with this brutal but radiant story" VARIETY
CRSHD: A film that’s certain to resonate with its target demographic.
Tea-time with Clermont-Ferrand!
08 February 2019
Luo Jian gives an interview with the prestiguous festival.
THE WORK: Danny Sangra Vogue x Selfridges 'Everything Looks Better'
20 September 2018
...his mastery over the genre of satire doesn’t disappoint.
SHOTS magazine celebrates Lief!
15 April 2018
“Mars pulled together this stellar directorial line-up to tackle the 'transformation of the content market' and give a new slant to the usual production model."
